Also, during particularly grueling tracking sessions, your ears can get more and more fatigued. Now, by all means, you can dynamically notch each actor in each scene individually, but that time can pile up. You’re also going to notice that you have different pesky resonances for every actor in every scene! In any scenario, you’re probably going to notice some pesky resonances in the voice that you’ll have to notch-at least, I always do. On set, audio from an actor is generally recorded from a boom mic held above their head, a lapel mic pinned to their clothes, or both. Here's how this works well in post production: Why is this feature so great? C’mon, you’re an iZotope reader-you know the drill! It’s going to take your exact audio into account and try to make it sound the best that it can. Within Mix Assistant in Neutron 3 Advanced, there’s a great little feature called Track Enhance which creates custom presets for your audio. Let’s dive right into it and show off six tips for using Neutron 3 for post production. The tools in Neutron are often transparent in timbre, which is perfect for post production. This article will demonstrate how Neutron is also a perfect companion during the post production process-mixing sound for film, television, and other viewable media. By now, you’re probably familiar with the ways Neutron 3 can help you in your mixes.
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